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Dvořák and Brahms—two great 19th century composers who gave us splendid piano quintets. However, the Dvořák Quintet is one you may not have heard before. He was 31 when he wrote it, but then decided to revise it in 1887 at the height of his career. Unfortunately, this version was... [Read More]
Engage your imagination in the magic of music by three greats: Schumann, Haydn, and Beethoven. Schumann’s “Fairy Tales” is written for the same combination as Mozart’s “Kegelstatt Trio” (clarinet, viola, and piano) and is one of Schumann’s final compositions. He thought listeners would find it “highly romantic.” Beethoven’s “Ghost” gets... [Read More]
Engage your imagination in the magic of music by three greats: Schumann, Haydn, and Beethoven. Schumann’s “Fairy Tales” is written for the same combination as Mozart’s “Kegelstatt Trio” (clarinet, viola, and piano) and is one of Schumann’s final compositions. He thought listeners would find it “highly romantic.” Beethoven’s “Ghost” gets... [Read More]
Engage your imagination in the magic of music by three greats: Schumann, Haydn, and Beethoven. Schumann’s “Fairy Tales” is written for the same combination as Mozart’s “Kegelstatt Trio” (clarinet, viola, and piano) and is one of Schumann’s final compositions. He thought listeners would find it “highly romantic.” Beethoven’s “Ghost” gets... [Read More]
Coffee Talks are free, engaging, informal lectures on music topics by MM ensemble members, staff, and friends. We will examine the political and social situation in France from 1871 to 1914. This was the "Belle Epoque," a crucial period of progress, prosperity, and innovation in French technology, painting, and music.... [Read More]
Join us to toast French independence. Each of our three works represents a different vision of France, so we are going to sample different French wines that complement their paired musical work. D’Indy brings us a French postcard painted by harp, flute, and strings. Bordes uses flute (played by Heather... [Read More]
Join us to celebrate French independence. Each of our three works represents a different vision of France. D’Indy brings us a French postcard painted by harp, flute, and strings. Bordes uses flute (played by Heather Zinninger) and strings to transport us to the Basque region, and Claude Debussy enchants us... [Read More]
Join us to toast French independence. Each of our three works represents a different vision of France, so we are going to sample different French wines that complement their paired musical work. D’Indy brings us a French postcard painted by harp, flute, and strings. Bordes uses flute (played by Heather... [Read More]
Join us to toast French independence. Each of our three works represents a different vision of France, so we are going to sample different French wines that complement their paired musical work. D’Indy brings us a French postcard painted by harp, flute, and strings. Bordes uses flute (played by Heather... [Read More]
Composer-in-Residence Will Healy returns with a free-wheeling program inspired by Bach. Selections from The Musical Offering and Will’s arrangement of Wachet auf ruft uns die Stimme lead to Bach-inspired works by Will himself. He is then joined by his colleague, violinist George Meyer, for their freshly inspired collaborations that remind... [Read More]
Coffee Talks are free, engaging, informal lectures on music topics by MM ensemble members, staff, and friends. For hundreds of years, composers have been taking the works of J.S. Bach and inspiring new creations for piano, orchestra, and countless other configurations of acoustic and electric instruments. In this Midsummer’s Coffee... [Read More]
Composer-in-Residence Will Healy returns with a free-wheeling program inspired by Bach. Selections from The Musical Offering and Will’s arrangement of Wachet auf ruft uns die Stimme lead to Bach-inspired works by Will himself. He is then joined by his colleague, violinist George Meyer, for their freshly inspired collaborations that remind... [Read More]
After her triumphant performances last season of Beethoven’s Emperor Concerto, Jeannie returns this season to offer Grieg’s magnificent romantic treasure. We’ve discovered a stunningly beautiful arrangement with string quartet that will feature Jeannie in all her radiance. Puccini’s hauntingly beautiful Crisantemi opens the program followed by Emilie Mayer’s G Minor... [Read More]
Composer-in-Residence Will Healy returns with a free-wheeling program inspired by Bach. Selections from The Musical Offering and Will’s arrangement of Wachet auf ruft uns die Stimme lead to Bach-inspired works by Will himself. He is then joined by his colleague, violinist George Meyer, for their freshly inspired collaborations that remind... [Read More]
After her triumphant performances last season of Beethoven’s Emperor Concerto, Jeannie returns this season to offer Grieg’s magnificent romantic treasure. We’ve discovered a stunningly beautiful arrangement with string quartet that will feature Jeannie in all her radiance. Puccini’s hauntingly beautiful Crisantemi opens the program followed by Emilie Mayer’s G Minor... [Read More]
After her triumphant performances last season of Beethoven’s Emperor Concerto, Jeannie returns this season to offer Grieg’s magnificent romantic treasure. We’ve discovered a stunningly beautiful arrangement with string quartet that will feature Jeannie in all her radiance. Puccini’s hauntingly beautiful Crisantemi opens the program followed by Emilie Mayer’s G Minor... [Read More]
After her triumphant performances last season of Beethoven’s Emperor Concerto, Jeannie returns this season to offer Grieg’s magnificent romantic treasure. We’ve discovered a stunningly beautiful arrangement with string quartet that will feature Jeannie in all her radiance. Puccini’s hauntingly beautiful Crisantemi opens the program followed by Emilie Mayer’s G Minor... [Read More]
When Brahms wrote his second string quintet, he thought it was a perfect way to end his career (he later was coaxed into creating a few more by a wonderful clarinetist). It is powerful, charming, intense, light-hearted, and – especially in its Hungarian flavored finale – exuberant. When someone suggested... [Read More]
When Brahms wrote his second string quintet, he thought it was a perfect way to end his career (he later was coaxed into creating a few more by a wonderful clarinetist). It is powerful, charming, intense, light-hearted, and – especially in its Hungarian flavored finale – exuberant. When someone suggested... [Read More]
When Brahms wrote his second string quintet, he thought it was a perfect way to end his career (he later was coaxed into creating a few more by a wonderful clarinetist). It is powerful, charming, intense, light-hearted, and – especially in its Hungarian flavored finale – exuberant. When someone suggested... [Read More]